![]() When Nicolas arrived in California, he met film producer Steve Chasman and his wife, French actress and singer Nadia Fares and produced Nadia’s album, Momentum.īack in his native France, the animated film Titeuf, le Film (part of the selection for the Césars 2012), co-scored by Nicolas, was a big success. ![]() director Marianne Hettinger on Saint Vitus Dance, which received the “Honorable Mention” Award at the Ventura Film Festival in 2011. Upon moving to the US in 2009, Nicolas played at New York City’s Webster Hall and clubs in Brooklyn and the East Village while starting to work on his second solo album in a funky Lower East Side recording studio. In 2007, he recorded and produced his first album as a solo artist, Moments, featuring his passion for simple, emotional scoring by performing solo on piano. ![]() Pokora and was the main composer for one of the most successful French crime series, La Crim’. He has produced albums for French shooting-stars Jenifer and M. Over the years, Nicolas has written music for commercials such as Carte Noire, Peugeot, Renault, and Evian, and collaborated on films, such as Venus Beauty Institute, Absolutely Fabulous, and Baby Blues. Later in 1999, Nicolas opened his recording studio in Montmartre and created his first production and publishing company, Aktion Entertainment. In 1996, Nicolas composed the song, Dieu m’a donné la foi, his first N☁ Hit in France, and one of the ten best-selling records of the year. Nicolas performed more than 1500 shows live on French national tv including a yearly 2-week performance at the Cannes Film Festival. Le Groupe was also the house band for the daily Canal+ prime-time talk show, Nulle Part Ailleurs. Īlready a busy composer for commercials and songs, Nicolas joined the band Le Groupe which was the back up band for talents such as Seal, Tom Jones, Dee-Dee Bridgewater, Nina Hagen, Vanessa Paradis, and Willy De Ville. One of his early connections to A-List musicians was drummer Manu Katché, who took the time to play on Nicolas’ productions while recording and touring with Peter Gabriel, Sting and Tears for Fears. His early interest in music software and synthesizers opened the doors to Paris’ recording studios in the mid-eighties, where he started to work as a programmer, keyboard player and arranger and found himself working next door to Prince, Eurythmics, and Tina Turner. school in Paris and, simultaneously, taking private classical lessons with multi-award-winning concert pianist Françoise Buffet, he pursued the goal of getting the best of both worlds. Studying jazz piano and arrangement at the C.I.M. After studying classical piano and playing in school bands, he moved to Paris in 1983 to become a professional musician and composer. Nicolas is a trilingual composer and music producer. Le conseil à donner au restaurateur est de chercher à augmenter la qualité de la carte et du service, même si la note en prend un léger coup.Nicolas Neidhardt, composer and music producer On paye l'emplacement, mais pas toujours la vue si un navire est amarré devant, ce qui peut même transformer vôtre moment en un enfer avec des nuisances sonores, fumées épaisses et odeurs de fioul lourd.īref, ça dépanne si on ne veut pas s'éloigner du centre commercial. The advice to the restaurateur is to seek to increase the quality of the card and the service, even if the note takes a slight hit.Ĭarte style brasserie standard, qualité correcte, mais ne pas s'attendre à trop de surprises agréables. In short, it helps if you do not want to get away from the mall. ![]() We pay the location, but not always the view if a ship is moored in front, which can even turn your moment into a hell with noise, thick smoke and smells of heavy fuel. (Translated by Google) Standard brewery style card, decent quality, but do not expect too much pleasant surprises. He highly recommended us NOT to enter this club and find something else. Interestingly, the moment we get out of the club, a guy passing by thought we were lining up for the club. I would never come back or recommend it to anyone. They just would not bother looking for it and only claimed that they can’t find it.Įven though it’s their club, what they did was stealing and lying. Until we had insisted for quite a while, they gave 2 of the 3 cloths back to us. But they lied that someone has stolen it and they are not going to be able to find it. Well, if it is for giving us a lesson to pay for the cloakroom then it’s fine, just let us pay and give the cloths back. People who work in the bar took our cloths that were left beside us and didn’t want to give it back to us. The music is not fun and the ambiance is not good. A lot of People are smoking inside and you can stand for more than half an hour.
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